My work investigates the relationship between emotion, memory, and form through minimal, gestural abstraction. Using materials such as charcoal, ink, and oil on paper or raw canvas, I explore how mark-making can serve as both language and release. Each composition is guided by intuition — a dialogue between control and surrender.

The black gestures act as visual traces of thought and feeling: bold, imperfect, and often interrupted. The surrounding white space becomes a counterpoint — silence, breath, or the echo of what has been left unsaid. Together they form a rhythm of tension and release, mirroring the process of loss, reflection, and reconstruction.

Influenced by post-war abstraction and the quiet discipline of minimalism, I’m drawn to what is unresolved — the moments where structure meets emotion, where gesture becomes memory. My intention is not to depict but to evoke: to create spaces where viewers can sense both presence and absence, motion and stillness.

The Shape of Silence is ultimately about the act of becoming whole again — about the beauty that survives after unraveling, and the clarity that follows when the noise fades.